From the Cellar: December, bomber by bomber
I have an ever-growing collection of 22 oz and 750 ml bottles of beer cellaring in the Harry Potter closet. I save them for interesting meal pairings or other special occasions (which includes “another Sunday”). So December – a time of parties, good meals, multiple Christmas celebrations and the new year – is a perfect time to catch up on the cellar back stock. By which I mean drink them, of course.
It’s also when a lot of breweries release special beers, so I’ve found a few to fill the empty spaces in my cellar as I drink them up. Here’s a quick review of some recent bombers I’ve tasted and bought, and a preview of what I’m uncapping next.
This past Saturday, I opened a Stone Enjoy By 12.21.12 IPA. The occasion? Nothing more than resting up after seeing The Hobbit twice on Friday, and a December evening warm enough to put some filet mignons on the backyard grill. Steak and IPA aren’t two things I pair often, especially not when the steak is seasoned boldly (I used some coffee-chipotle rub left over from Thanksgiving), but time was running out on this time bomb of a bomber. The spicy beef and spicy beer matched better than I expected. The beer was light in color, with less melanoidin flavor than I usually want from an IPA, but I didn’t mind the hops overtaking the light malt profile. It was fresh, grassy, floral and spicy. Like a morning stroll through an English garden in spring. With a steak.
Then on Sunday, my wife Lisa and I had an early “Christmas” dinner: leg of lamb with garlic, lemon and herbs, which I paired with a bottle of Boulevard Collaboration No. 3 – Stingo that I’ve had for several months. Not knowing anything about “stingo” – a strong English style – except what was on the label, I expected deep malt and spice with a hint of sour tartness. I thought it would be a natural pairing for lamb with a little tangy mint sauce, but I was disappointed. There was some malt roastiness and a tang on the finish, but nothing in between. Not enough malt backbone, not enough depth, and not enough sourness to be pleasant. I had a lot of trouble finishing it, and that’s the first time I can say that about a Boulevard beer. Realizing it had been in storage for a while, I checked the date on the label, and it wasn’t out of date. Just not my thing, I guess.
I also bought a few new beers for my collection: a Stone 12.12.12 Vertical Epic Ale, a Brooklyn Black Ops, and a Samuel Adams Thirteenth Hour. I predict at least 2 of those won’t live to see spring.
Speaking of not living to see spring, this Friday night (December 21) I’ll open a bottle of Dogfish Head Theobroma in honor of the winter solstice and the end of the Mayan calendar. Since “theobroma” (a.k.a. cacao) is the food of the gods, this should be an excellent way to gain favor with Bolon Yokte K’uh, the Mayan god of war and creation who might be coming to destroy us all. If he is not amused and punishes me for my insolence – or if, more likely, he forgets to show up and the world continues to turn – at least I’ll be enjoying one of my favorite beers.
Saturday morning, assuming we’re alive and not already on the Dark Rift road to the Mayan underworld Xibalba, we drive to New Orleans to spend Christmas with our families there. I’m bringing a couple of bottles of Samuel Adams Norse Legend Sahti for Christmas Day. I haven’t tried it yet, but it should be something interesting to introduce to non-beer geeks in the family. The label might even open up some geeky discussion about Norse mythology, which I recommend highly as an excellent conversation topic, especially over grandmother’s Christmas lasagna.
Then there’s a bottle of Samichlaus Bier Helles which won’t see any action until New Year’s Eve. January 1 is Lisa’s birthday, and this year she can’t drink to celebrate thanks to our bouncing, kicking bun in the oven. So we’re having a small celebration at home starting on New Year’s Eve. Samichlaus, a rare Helles bock brewed only once each year by Brauerei Schloss Eggenberg in Austria, will be a fitting send-off to 2012: a very special beer for a very good year.
From the Cellar: Showdown! Commercial vs. Homebrewed Smoked Porter
For this edition of From the Cellar, I opened a bomber of Ranger Creek Mesquite Smoked Porter (6.4% ABV) and pitted it head-to-head against my own homebrewed porter currently on tap: Smokey in a Plain Wrapper Rauch Porter (6.0% ABV).
Smoked porter or rauch porter is one of those style variations that seems to be springing up in all sorts of places spontaneously. Granted, Stone has had their version on the market for over 15 years now, so it’s possible we all got the same great idea from them. But it is a great idea. The astringency and bite of smoked malt plays well against the sweet and malty backdrop of a porter malt bill, giving complexity without having to resort to a ton of hops in the boil. It gives a flavor akin to stout without the sharp roasted barley notes that are so common (though not necessarily required) in a stout. So yeah, I’m a fan; and I was dying to know how one of my own brews stacked up against a commercial offering from one of my favorite up-and-comers in the Central Texas craft beer scene.
I poured a blind tasting of both beers and tried them side by side. I didn’t know which was which until after I had written down all of my notes. Picking a clear winner was tough, so I just judged each on its merits and avoided trying to score them (though I did have a personal favorite).
Beer A was nearly black with chocolate brown notes, and tiny bubbles with not a lot of head retention. The nose had some slight but noticeable fruity esters over dark chocolate and coffee. The aroma of smoke was present, but not obvious.
Beer B had a much more persistent head and was completely black with bigger and rockier bubbles. There was a distinct woodsy scent and a smell not entirely unlike good Texas barbecue. But the beer had a boozy smell, like it was barrel-aged, which would be a surprise. The thick head and carbonation would suggest that if it was aged, it wasn’t aged for any considerable length of time.
As for the flavor, I generally preferred Beer A even though Beer B was arguably a better crafted brew and a better example of a rauch porter. Beer A was full of dark chocolate and vanilla flavor, with a slight amount of esters and very little smoke. But it was refreshing and easy to drink, and ultimately really satisfying. Beer B was cleaner fermented, but the smoke really, really dominated the flavor … to the point of being almost too much for me. There was some leather and wood in Beer B, but really it was all about the smoke. It was drier than Beer A, but less refreshing because of the harsh, aggressive character I found the smoke imparted.
Within seconds of tasting, I knew which one was mine. Smokey in a Plain Wrapper has been on tap in my kegerator for a couple of months, so I know it pretty well and could pretty much tell it was Beer A. The Ranger Creek Mesquite Smoked Porter was Beer B.
So while the results weren’t shocking, they were very informative. My homebrew was more estery and with less smoke flavor (thus arguably less true to the essence of a rauch porter) than a commercial equivalent. But I would rather drink my homebrew, even when I didn’t know it was my homebrew, simply because it was more refreshing. Am I just getting used to the unique flavor produced in my brewing setup, or am I just subconsciously making beers I like? Or was it simply the fact that I wasn’t crazy about the mesquite smoke in the Ranger Creek beer, and another rauch porter from another brewery (with another kind of smoke) would have fared better? It’s hard to say. It could have been just familiarity with Smokey that made me like it more.
Regardless, it’s great to know that I like my beers not only because I made them, but that they also stack up well against commercial brews. I have no idea how I’d do against the commercial brew before a panel of judges, but as long as I like it and want to drink it (and share it with others) that’s good enough for me. Prosit!
From the Cellar: Boulevard Saison-Brett
The closet under the stairs – affectionately referred to as the Harry Potter closet – is the coolest, darkest part of the house. It’s where I keep all my fermenting beers and where I “cellar” store-bought beers in bombers. I seem to collect them faster than I can drink them, taking them out mainly for special occasions: a Chateau Jiahu on my birthday, a Brooklyn Sorachi Ace to celebrate the purchase of a new Japanese film on Criterion Blu-Ray, that sort of thing. But once in a while, we open one just for the hell of it.
Saturday night was one such time. Thirsty from the effort of arranging our new outdoor furniture into Tetris-style configurations on our limited square of backyard patio, my wife Lisa and I decided to open a bottle of Boulevard Saison-Brett that we’d been eying predatorily for months since we’d bought it.
The words “farmhouse” and “sour” are bandied about so much in the craft brew community lately, it’s easy to forget that just a few short years ago, the word “rustic” was a euphemism for “needs time,” and Brettanomyces (the aggressive wild yeast responsible for the funky flavor in many wild fermentations and notoriously hard to clean out of one’s brewhouse once it’s been introduced) was spoken of in hushed tones like Jack the Ripper was in the back alleys of Whitechapel in the 1880’s. Now many craft beer lovers are on a first name basis with “Brett” and we like a little funk to shake our glasses. But there are no doubt still some brew aficionados out there who haven’t jumped on the funk train just yet. To them I say: this beer’s for you.
The first word that comes to mind when I think of this beer is “accessible”. It’s the same word people use to describe Frank Zappa’s Apostrophe(‘) album, or the Lars von Trier film Melancholia. Boulevard Saison-Brett is as good an entry point for the newbie down the rabbit hole of “sour” beer as those works are into the intimidating corpora of those artists’ careers.
The beer pours a cloudy orange-straw color. The color reminded me of photos from Belgian breweries that I’ve spent hours gazing at online with longing, like a lonely teen with an Internet girlfriend. The head is pure white and rocky, with big bubbles you want to dive right into. There’s a respectable amount of sediment in the bottle, but not too much. To call the aroma “floral” is an understatement. It’s perfumey, with citrus notes and just the tiniest hint of barnyard aromatics from the Brett.
The flavor starts out much the same: perfume on the front end, with a tart and citrusy middle. But this is where it gets interesting. Once the citrus leaves the palate, astringency and sherry-like oxidation notes scrub it right away, leaving the finish very dry. It’s almost like champagne and just as refreshing. There’s not a hint of boozy flavor in this brew, which boasts a not-too-shabby 8.5% ABV.
I paired mine with some crumbled blue cheese, fig spread, and sesame crackers. I had to remind myself to take bites of my snack between sips, as the dry finish left me wanting to wet my whistle again and again.
As for the funk, it was present, but in the background – not the star of the show. Think George Clinton backup singer, not Bootsy Collins standing radiant in all his platform-booted, star-shaped-spectacled glory. There was very little of the barnyard, musty flavor typically associated with Brett beers, but that could very well be because we drank it so soon. Brett character tends to evolve over time, and I just couldn’t wait to try this one; but with a few more months in the cellar, the funky character may have come more to the foreground.
All in all it was a fantastic beer, and I wish I had bought a second bottle to hold onto and see how it ages. Once I get through a few more of the bombers in the Harry Potter closet, I will make sure to save some room for another couple of Saison-Brett bottles if and when Boulevard decides to release another.